Dianna Agron In The Family


Dianna Agron In The Family – Luc Besson has actually produced, composed, and directed a few of the most entertaining and pulse pounding movies of the last two-plus years, amongst them Leon: The Specialist; Taken (and its follow up); The Fifth Element; and The Transporter series. Even with a track record like that it’s possible to misfire and regrettably, The Family misses out on the target.

The story centers on Brooklyn mobster Fred Blake/Givoanni Manzoni (Robert DeNiro) who, after surviving a near hit, kips down evidence that puts high-ranking mobster Don Luchese (Stan Carp) in prison and force Manzoni, his other half Maggie (Michelle Pfeiffer), and children Belle (Dianna Agron) and Warren (John D’Leo), into witness protection in Normandy, France, with brand-new identifications. Each member of the re-christened “Blake” household is amoral in their own right and, due their own specific criminal shenanigans, are transferred regularly much to the consternation of FBI representative and handler Robert Stansfield (Tommy Lee Jones).

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It sounds like a common “culture shock” story, but given the film’s creative pedigree (a story is composed by Besson with an assist by film writer Michael Caleo, with the whole venture supervised by manufacturer Martin Scorsese, who knows a thing or two about mobsters) one would expect the premise would be offered a fascinating overhaul. The entire film is woefully disjointed. It’s not that it is not delightful; it’s just uninteresting.

DeNiro plays Giovanni Maznoni, a previous mafia boss who ratted out a rival criminal activity syndicate authority and is put into the witness security program in addition to his family and under the watchful eye of a top FBI representative, Robert Stansfield (Tommy Lee Jones). After nearly being discovered by the man he put away, Maznoni and his household are moved to a relatively village near Normandy.

He takes retribution on a plumbing technician who could not repair the pipelines by beating him up, and invests his time at a “get-acquainted” barbecue dreaming about what he would really such as to do to the attendees who slam his grilling abilities. Giovanni’s other half Maggie (Michelle Pfeiffer) is really much like her hubby. She decides it’s time to get included in the church again, however the local priest asks her to not come back after she admits all of the household’s sins to him. The 2 Maznoni youngsters, teens Belle (Dianna Agron) and Warren (John D’Leo), also take after their daddy. Belle falls in love with her replacement mathematics teacher, but beats another child senseless with her tennis racquet after he makes a step on her.

It sounds like a typical “culture shock” story, however given the film’s artistic pedigree (a story is written by Besson with an assist by film writer Michael Caleo, with the whole endeavor supervised by producer Martin Scorsese, who understands a thing or two about mobsters) one would expect the property would be offered an intriguing overhaul. He takes vengeance on a plumbing professional who could not fix the pipelines by beating him up, and spends his time at a “get-acquainted” barbecue dreaming about what he would really like to do to the guests who criticize his grilling skills. She decides it’s time to get involved in the church once more, but the regional priest asks her to not come back after she admits all of the family’s sins to him. The 2 Maznoni kids, teens Belle (Dianna Agron) and Warren (John D’Leo), likewise take after their father.

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